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It’s late at night in the steamy, neon-lit streets of New York’s Times Square, and everything’s buzzing with nervous energy. But press agent Sidney Falco (Tony Curtis) is oblivious to the whirlwind of street vendors, call girls and con men bustling around him as he nervously waits for the early edition of The Globe. Whose career did gossip columnist J.J. Hunsecker (Burt Lancaster) launch today … and whose did he destroy?

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For the past year, Sandra, her husband Samuel, and their eleven-year-old son Daniel have lived a secluded life in a remote town in the French Alps. When Samuel is found dead in the snow below their chalet, the police question whether he was murdered or committed suicide. Samuel’s suspicious death is presumed murder, and Sandra becomes the main suspect. What follows is not just an investigation into the circumstances of Samuel’s death but an unsettling psychological journey into the depths of Sandra and Samuel’s conflicted relationship.

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Frank Capra adapted a hit stage play for this marvelous screwball meeting of the madcap and the macabre. On Halloween, newly married drama critic Mortimer Brewster (Cary Grant, cutting loose in a hilariously harried performance) returns home to Brooklyn, where his adorably dotty aunts (Josephine Hull and Jean Adair, who both starred in the Broadway production) greet him with love, sweetness . . . and a grisly surprise: the corpses buried in their cellar. A bugle-playing brother (John Alexander) who thinks he’s Teddy Roosevelt, a crazed criminal who’s a dead ringer for Boris Karloff (Raymond Massey), and a seriously slippery plastic surgeon (Peter Lorre) are among the outré oddballs populating Arsenic and Old Lace, a diabolical delight that only gets funnier as the body count rises.

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“A Haunting in Venice” is set in eerie, post-World War II Venice on All Hallows’ Eve and is a terrifying mystery featuring the return of the celebrated sleuth, Hercule Poirot. Now retired and living in self-imposed exile in the world’s most glamorous city, Poirot reluctantly attends a séance at a decaying, haunted palazzo. When one of the guests is murdered, the detective is thrust into a sinister world of shadows and secrets.

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Los Angeles private eye Philip Marlowe (Elliott Gould) faces the most bizarre case of his life when a friend’s apparent suicide turns into a double murder involving a sexy blonde, a disturbed gangster and a suitcase full of drug money. But as Marlowe stumbles toward the truth, he soon finds himself lost in a maze of sex and deceit – only to discover that in L.A., if love is dangerous … friendship is murder.

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At the turn of the 20th century, oil brought a fortune to the Osage Nation, who became some of the richest people in the world overnight. The wealth of these Native Americans immediately attracted white interlopers, who manipulated, extorted, and stole as much Osage money as they could before resorting to murder. Based on a true story and told through the improbable romance of Ernest Burkhart (Leonardo DiCaprio) and Mollie Kyle (Lily Gladstone), “Killers of the Flower Moon” is an epic western crime saga, where real love crosses paths with unspeakable betrayal. Also starring Robert De Niro, Jesse Plemons, Tantoo Cardinal, Cara Jade Myers, JaNae Collins, and Jillian Dion, “Killers of the Flower Moon” is directed by Academy Award winner Martin Scorsese from a screenplay by Eric Roth and Martin Scorsese, based on David Grann’s best-selling book.

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