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Professional photographer Thomas saw nothing. And he saw everything. Enlargements of pictures he secretly took of a romantic couple in the park reveal a murder in progress. Or do they? Winner of 1966 Best Picture and Director Awards from the then-new National Society of Film Critics, Michelangelo Antonioni’s Blow-Up is an influential and stylish study of paranoid intrigue and disorientation. It is also a time capsule of mod London, a mindscape of the era’s fashions, free love, parties, music (Herbie Hancock wrote the score and The Yardbirds riff at a club) and hip languor. David Hemmings plays the jaded photog enlivened by the mystery in his photos. Vanessa Redgrave is the elusive woman pictured in them. And the enigma of what you see, what you don’t see and what the camera sees is yours to solve.

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Joseph Cotton star as Uncle Charlie, a calculating and charming killer who hides out in his relatives’ small hometown. There, he befriends his favorite niece and namesake, Young Charlie (Teresa Wright). But she begins to suspect he may be the famed Merry Widow murderer. A deadly game of cat and mouse ensues as the psychopathic killer plots the death of his young niece to protect his secret.

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Lights flicker and dim. Footsteps sound from a sealed-off attic. Mysterious events only vulnerable young Paula sees and hears make her fear she’s losing her mind – exactly what treacherous spouse Gregory hopes. Directed by George Cukor, Gaslight shines as a superb exercise in suspense. Ingrid Bergman won her first Academy Award as Paula, doubting her sanity while clinging to it. Fellow Oscar nominee Charles Boyer skillfully plays against type as smoothly evil Gregory. Joseph Cotten, Dame May Whitty, and then 18-year-old Angela Lansbury in her movie debut (also capturing an Oscar nomination) help make vivid a Victorian era realized in a production design that earned a Best Interior Decoration Academy Award.

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Conclave follows one of the world’s most secretive and ancient events – selecting the new Pope. Cardinal Lawrence (Ralph Fiennes) is tasked with running this covert process after the unexpected death of the beloved Pope. Once the Catholic Church’s most powerful leaders have gathered from around the world and are locked together in the Vatican halls, Lawrence uncovers a trail of deep secrets left in the dead Pope’s wake, secrets which could shake the foundations of the Church.

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A Hollywood studio executive with a shaky moral compass (Tim Robbins) finds himself caught up in a criminal situation that would be right at home in one of his movie projects, in this biting industry satire from Robert Altman. Mixing elements of film noir with sly insider comedy, The Player, based on a novel by Michael Tolkin, functions as both a nifty stylish murder story and a commentary on its own making, and it is stocked with a heroic supporting cast (Peter Gallagher, Whoopi Goldberg, Greta Scacchi, Dean Stockwell, Fred Ward) and a lineup of star cameos that make for an astonishing Hollywood who’s who. This complexly woven grand entertainment (which kicks off with one of American cinema’s most audacious and acclaimed opening shots) was the film that marked Altman’s triumphant commercial comeback in the early 1990s.

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Academy Award Nominee Sir Ian McKellen (The Lord of the Rings, The Good Liar) stars as a powerful London theater critic who lures a struggling actress into a blackmail scheme with deadly consequences. A suspenseful thriller co-starring Gemma Arterton (Quantum of Solace), Mark Strong (Tinker Tailor Soldier Spy) and Lesley Manville (Mrs. Harris Goes to Paris).

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Joaquin Phoenix returns to his Oscar-winning dual role as Arthur Fleck/Joker, opposite Oscar winner Lady Gaga. Institutionalized at Arkham, awaiting trial for his crimes as Joker and struggling with his dual identity, Arthur not only stumbles upon true love, but also finds the music that’s always been inside him.

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An Oscar winner for Best Film Editing, this razor-edged 1968 thriller features the King of Cool, Steve McQueen, and one of cinema history’s most memorable car chases.

Detective Frank Bullitt’s new assignment seems routine: protecting a star witness for an important trial.

Buckle up and brace yourself for unbeatable action.

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The sci-fi/horror-thriller takes the phenomenally successful “Alien” franchise back to its roots: While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe. The film stars Cailee Spaeny (“Priscilla”), David Jonsson (“Agatha Christie’s Murder is Easy”), Archie Renaux (“Shadow and Bone”), Isabela Merced (“The Last of Us”), Spike Fearn (“Aftersun”), Aileen Wu. Fede Alvarez (“Evil Dead,” “Don’t Breathe”) directs from a screenplay he wrote with frequent collaborator Rodo Sayagues (“Don’t Breathe 2”) based on characters created by Dan O’Bannon and Ronald Shusett. “Alien: Romulus” is produced by Ridley Scott (“Napoleon”), who directed the original “Alien” and produced and directed the series’ entries “Prometheus” and “Alien: Covenant,” Michael Pruss (“Boston Strangler”), and Walter Hill (“Alien”), with Fede Alvarez, Elizabeth Cantillon (“Charlie’s Angels”), Brent O’Connor (“Bullet Train”), and Tom Moran (“Unstoppable”) serving as executive producers.

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