Theatre Revolution and Bedford Playhouse present the best short films from the 4th Glass Ceiling Breakers Festival, a festival of female identifying filmmakers.

A Q&A with the filmmakers in attendance follows the screening.

Presenting (in alphabetical order – running order may vary):

Alright Robot – To cope with isolation, a Jewish millennial befriends her robotic voice assistant; but can a robot really help her navigate the experience of being human?

Breaking and Entering: Episode 1 – An uptight personal organizer goes to battle with an unhinged millennial lifestyle guru in a mad competition to offer their clients the most life-changing decluttering experience.

Father Forgive Me For I Have Sinned – When an aging priest hears the confession of a mysterious stranger, the tables turn and he is forced to confront his secrets, and confess his own sins.

Hell Week – It’s “Hell Week” for this community theater production of “Mame,” and tensions are running high.

Holy Moly Meteorite! – It’s an awkward date and it also happens to be their last minute on earth!

How We Met – A couple recall how they got together where their version of events don’t quite align with reality. This is a fun, off-beat comedy that will probably deliver a few home-truths.

Kairos – A middle-aged woman’s idyllic life is upended when she has to put her mother in a rest home.

Lettre La – A charming West-Indian radio hosts sets out to do his weekly show when an unusual letter throws him out of groove.

Meteoroid – A passionate geologist Ernie helps you differentiate space debris.

Papa George – Betty’s world shifts when she stumbles upon a hidden truth: her beloved grandfather George, harbors a secret—illiteracy.

Parenthesis – When a young woman escapes to a house in the jungle to take a “mental health day”, her loneliness makes her even more confused.

Uncontrollable – When a novelist steps away from writing his latest story, strange things unfold.

Welcome to Theatre – Two slightly lovable, mediocre white theatre producers (think Archie Bunker and Meathead!), try to revive their festival and save the theatre from financial ruin in a post pandemic world.

The Theatre Revolution mission is founded on the principle of connecting artists to each other and to the community.  We promote artists and produce work that is inclusive, reflects the diversity of our world and impacts our audiences by making them laugh, cry and wonder.

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