When Lord Murashige Araki (Masahiro Motoki) rises up against the tyrannical Nobunaga Oda (Bando Shingo), he finds himself besieged within the walls of his own castle. Isolated, he is confronted with a series of mysterious crimes that shatter the fragile order of his court, plunging the fortress into fear and suspicion. With Oda’s army closing in and a traitor hiding among his ranks, Murashige is forced into an uneasy alliance with Kanbei Kuroda (Masaki Suda), a brilliant yet dangerous strategist held prisoner in the dungeon. Helped by his wife Chiyoho (Yuriko Yoshitaka) and his most loyal generals, Murashige must uncover the truth before the castle falls. Presented in Japanese with English subtitles.

After decades of being blown to bits by bombs, demolished by dynamite, mangled by magnets, battered by boulders, trampled by trains, tricked by tunnels, sprung by springs, steamrolled by steamrollers, maligned by misfires, bedeviled by bungees, rattled by rockets, backstabbed by bat suits, rocked by rocket skates, upended by unicycles, quaked by quake pills, rubberized by rogue bands, and hurled headlong off every cliff in the Southwest, Wile E. Coyote (Genius) finally fights back. Teaming up with billboard accident lawyer Kevin Avery (Will Forte), he takes on slick corporate counsel Buddy Crane (John Cena) and ACME, Inc., the profit-obsessed conglomerate behind every one of the Coyote’s chaotic catastrophes.

A 19-year-old Anthony Bourdain travels to Provincetown and stumbles into the chaotic world of a restaurant kitchen, setting off a summer that will shape the course of his life.

The great Willem Dafoe lends his delicate gravitas to the role of Ed Saxberger, a forgotten New York poet who works in the post office. After an eager and flattering young admirer (Edmund Donovan) appears on his doorstep, Saxberger is beckoned into a coterie of twentysomething admirers who anoint him as a rediscovered genius. Intoxicated by the attention—and by the alluring presence of Gloria, the group’s “tragic heroine” (a sinuous, Kurt Weill–crooning Greta Lee)—Saxberger gradually reckons with the authenticity of his newfound poetic circle. This thoughtful, witty second feature from Kent Jones (DIANE), working from a sly and hugely entertaining script by Oscar- nominated screenwriter Samy Burch (MAY DECEMBER), is a wistful yet unromantic look at a lost idea of downtown New York.