Announcing the winner of our Best Picture Survey – chosen by our community! In this Academy Award winner for Best Picture, two very different men on the same team vie to win Olympic gold to demonstrate to the world the worth of their deeply held–and strongly opposing–convictions. Yet a friendship builds between the two in this true story that is as strong as their desire to win in Chariots of Fire. Paris Olympics, 1924. Scotsman Eric Liddell (Ian Charleson–Gandhi) competes to prove the superiority of this Christian faith, while his teammate, Harold Abrahams (Ben Cross–Exorcist: The Beginning), a Jewish Englishman, is driven to win to show the world that Jews are not inferior people. But as different as they two competitors are, the bond that develops between them reveals to both how complex their true motives are . . . and how much they really have in common.
Read MoreGenre: Drama
FALLEN LEAVES tells the story of two lonely people (Alma Pöysti and Jussi Vatanen) who meet each other by chance in the Helsinki night and try to find the first, only, and ultimate love of their lives. Their path towards this honourable goal is clouded by the man’s alcoholism, lost phone numbers, not knowing each other’s names or addresses, and life’s general tendency to place obstacles in the way of those seeking their happiness. This gentle tragicomedy, previously thought to be lost, is the fourth part of Aki Kaurismäki’s working-class trilogy (Shadows in Paradise, Ariel, and The Match Factory Girl).
Read MoreThe commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to the camp.
Read MoreInspired by true events, when a handshake deal goes sour, funeral homeowner Jeremiah O’Keefe (Academy Award winner Tommy Lee Jones) enlists charismatic, smooth-talking attorney Willie E. Gary (Academy Award winner Jamie Foxx) to save his family business. Tempers flare and laughter ensues as the unlikely pair bond while exposing corporate corruption and racial injustice in this inspirational, triumphant story. Followed by a Q&A with producer Jenette Kahn. Jenette Kahn is perhaps best known for her 27 years as the head of DC Comics, first as Publisher and then as President and Editor-In-Chief. When its founder Bill Gaines died, she became the head of MAD Magazine as well. In addition to The Burial, Jenette is a producer of such films as The Book of Henry with Naomi Watts, A Kid Like Jake with Claire Danes, Jim Parsons, and Octavia Spencer, and Gran Torino directed by and starring Clint Eastwood.
Read MoreIn observance of Black History Month, the Pound Ridge Human Rights Advisory Committee (HRAC) is proud to partner with The Bedford Playhouse to host a screening of the Academy Award winning film, 12 Years a Slave. Based on the 1853 memoir of Solomon Northup, a free African-American man who was sold into slavery, the film opened in 2013 to widespread critical acclaim, garnering multiple Oscars, a Golden Globe, and a BAFTA Award for Best Picture. To commemorate the 10th anniversary of the film’s release, the HRAC is thrilled to welcome the wonderful actress, producer, and local resident Ashley Dyke for a special panel discussion and Q&A.
Read MoreBOB MARLEY: ONE LOVE celebrates the life and music of an icon who inspired generations through his message of love and unity. On the big screen for the first time, discover Bob’s powerful story of overcoming adversity and the journey behind his revolutionary music. Produced in partnership with the Marley family and starring Kingsley Ben-Adir as the legendary musician and Lashana Lynch as his wife Rita.
Read MoreGreer Garson delivers an Academy Award-winning performance as a British wife and mother whose courage and grace hold her family together through the terror of the World War II German Blitz — Mrs. Miniver. In this film lauded by Prime Minister Winston Churchill, which eloquently captures the hopes of England and America at a time defeat by Nazi Germany seems imminent, Mrs. Kay Miniver (Garson) refuses to allow the war to destroy her family even as she huddles with her children through bombing raids, faces enemy paratroopers and fears for her husband’s life as he fights in a string of crushing defeats.
Read MoreWhen an esteemed but aging surgeon makes a fatal mistake in the operating room, an idealistic young physician – moved by the older man’s torment – takes the blame. It is a decision that will change his life forever. A young Errol Flynn headlines a poignant, romantic medical drama that sweeps from a great metropolitan hospital to the wilds of Montana, from career obsession to religious transformation. The film is based on a best-seller by Lloyd C. Douglas, whose other page-to-screen books include Magnificent Obsession and The Robe. Like those works, Green Light emphasizes spiritual values and the film’s inspiring tone and redemptive storyline helped make it another hit for a charismatic star on the rise.
Read MoreFolks in Walsburg may want to pay heed to the brace of pistols holstered onto Josiah Gray’s hips. In time, they may want to pay even more heed to the Bible in his hand. Gray (Joel McCrea) is the newly arrived parson in the woodsy post-Civil War Tennessee town. And the true test of his strength will come when, during his greatest and most dangerous challenge, he sets aside his six-shooters and relies on his faith. McCrea brings a quiet resolve to this touching tale burnished through the recall of the pastor’s impressionable nephew (Dean Stockwell). Based on the novel by Joe David Brown (who would later provide the source novel for Paper Moon), Stars in My Crown shines with a powerful, simple dignity.
Read MoreAMERICAN FICTION is Cord Jefferson’s hilarious directorial debut, which confronts our culture’s obsession with reducing people to outrageous stereotypes. Jeffrey Wright stars as Monk, a frustrated novelist who’s fed up with the establishment profiting from “Black” entertainment that relies on tired and offensive tropes. To prove his point, Monk uses a pen name to write an outlandish “Black” book of his own, a book that propels him to the heart of hypocrisy and the madness he claims to disdain.
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